Peter Hungerford Photography

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EARLIER PROJECTS

Before developing Host’s Blind Spot, I explored several lines of inquiry into AI, memory, myth and digital embodiment. These earlier projects form the conceptual ground from which my current practice has evolved, marking shifts in focus from neural aesthetics to archive, interpretation and the politics of machine vision.

Digital Parasite

Digital Parasite examines AI as a hallucinatory, consuming force that reshapes images and erodes the boundary between signal and noise. Combining altered photographs, short videos and speculative visual forms, the work explores how machine systems feed on human material and return it in distorted, unstable and parasitic ways.


Echoes of the Forgotten

Echoes of the Forgotten investigates the fragility of family archives and the ways memory is reinterpreted or lost across time and technological mediation. By reworking personal photographs into layered, ambiguous images, the project considers how identity is shaped by what persists, what disappears and what is inadvertently rewritten.


Digital Flesh

Digital Flesh explores the meeting of human bodies and digital processes, using photographic manipulation and AI-driven transformations to question where the physical ends and the computational begins. The work reflects on embodiment, distortion and the shifting materiality of the self within technologically saturated environments.



Paradise Lost (Doré Reimaginations)

This project reinterprets Gustave Doré’s engravings for Paradise Lost using contemporary photographic and digital techniques. By revisiting these mythic images through a modern lens, the series considers belief, rebellion and transformation, as well as the tension between classical visual language and today’s algorithmic image culture.


Golem: Forms of the Golem

Rooted in myth and contemporary AI discourse, the Golem series explores the creation of artificial beings as an allegory for technological power and unintended consequence. Through staged and reimagined photographic forms, the work reflects on authorship, control and the uneasy boundary between protector and threat.

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